In Joon is busy with Gold Shoes when he sees a beautiful pair of shoes. The Real CulpritĪ year later, Hae Ra is back in Busan with her sister. In Joo seems to suspect something about A Jung. He talks to his dad in giving Jung Ho’s shares to Min Woo instead. Meanwhile, In Joon goes back to Gold Shoes. Hyun Joo finally regains consciousness after years of being in a coma. Chang Soo also gives him the USB from In Joon’s uncle. Finally, the police arrive and arrest Jung Ho.Ĭhang Soo visits In Joon and tells him that Hae Ra accepted the position because it is the only way she can prevent the funds from disappearing. They play the audio of Jung Ho plotting his father’s murder. He adds that the embezzled 90 million dollars will be donated to charity.
In Joon announces that Jung Ho will step down. Jung Ho can’t hide the shock on his face. Jung Ho is interrupted when In Joon enters with their fully conscious father. He announces that his dad is in critical condition and may not recover. In Joon meets Soo Hyun who explains that Hae Ra wants him to use the documents. The Wheels Start Turning In Favor of In Joon
She asks her to tell In Joon to never forgive her. Hae Ra asks Soo Hyun to give In Joo the proof she had. Hae Ra reveals the existence of the slush fund. Without fear, Hae Ra reveals that Jung Ho directed funds to Gold Shoes and makes her pretend these were her sales figures. Once In Joon gets out of prison, he tries to set his own plan in motion to get back what he lost. Hae Ra has her own ways to gain revenge. He does it because he needs an alibi for his embezzled funds. Hae Ra accepts the position in Gold Shoes offered to her by Jung Ho. Lotto and Mathilde may be exhausting, but they’re also almost as fascinating as they think they are.Things happen fast within two years.
Groff is a fantastically vivid writer, though baroqueness can get the best of her, and her protagonists’ flowery self-regard wears thin. Just as poverty begins to feel less like a bohemian lark and more like real hardship, Fates takes a turn, but the book’s biggest twist (early readers have noted shades of Gone Girl that’s a little misleading, but not wrong) doesn’t come till halfway through. They’re by far the first ones in their privileged circle to get married, living broke-eloping has cost Lotto his considerable trust fund-but happy on pizza and wine and gymnastic newlywed sex in Manhattan. He’s an aspiring actor and inveterate social animal she is quieter, cool and watchful. Lotto and Mathilde, the twin poles and opposing mysteries of Groff’s rich, tricky novel, are the golden ones among their friends, the kind of couple whose youth and beauty and crackling chemistry spill light on everyone around them. No one ever really knows what goes on inside a marriage-including, sometimes, at least one of the two people living in it.
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